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ike that," says Tim Robey, film critic for The Telegraph. "Drawing those lines is a little bit arbitrary, in my view." The counter argument usually goes that you can't be what you can't see – and that if queer actors and identities are clearly visible, on podiums and otherwise, then this is an inspiring thing for the next generation of LGBTQ+ people, within the industry and outside it. "I go back and forth on this, because, you know, it's 2022 – does it really matter who's kissing who, and who's having sex with who," says Strong. "But at the same time, I do feel it's important to see yourself reflected in culture... I would like to get to the sta
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